![]() One night, Robert picks up a young woman named Amy, who shows signs of having been drugged and assaulted. He also helps Sam Rubinstein, an elderly Holocaust survivor looking for a painting of his sister who died in the Nazi death camps. Robert travels to Istanbul to retrieve the 9-year-old daughter of a bookstore owner, Grace Braelick, who was kidnapped by her abusive Turkish father. Robert McCall still lives in Boston, where he works as a Lyft driver and assists the less fortunate with the help of his close friend and former DIA colleague Susan Plummer. Nevertheless, the film was a commercial success like its predecessor, grossing $190 million worldwide on a production budget of $62 million.Ī sequel, titled The Equalizer 3, is scheduled to be released on September 1, 2023, with Washington to reprise his starring role and Fuqua returning to direct. It received mixed reviews, with critics praising Washington's performance and the film's action sequences, but criticizing the pacing and number of subplots. The Equalizer 2 was released in the United States on July 20, 2018, by Sony Pictures Releasing. It also marks the first time Washington has starred in a sequel to one of his films. ![]() Filming began in September 2017, and took place in Boston as well as other areas around Massachusetts. The project was officially announced in April 2015. Talks of an Equalizer sequel began seven months prior to the release of the first film. The film is the fourth collaboration between Washington and Fuqua, following Training Day (2001), The Equalizer (2014), and The Magnificent Seven (2016). It follows ex- Marine and retired DIA agent Robert McCall as he sets out on a path of revenge after one of his friends is murdered. The film stars Denzel Washington in the lead role, Pedro Pascal, Ashton Sanders, Melissa Leo, Bill Pullman, and Orson Bean in his final film role. It is the sequel to the 2014 film The Equalizer, which was based on the TV series of the same name, as well as the second installment of The Equalizer trilogy. What a novel idea.The Equalizer 2 (sometimes promoted as The Equalizer II or EQ2) is a 2018 American vigilante action film directed by Antoine Fuqua. If this doesn’t lead to his first threequel, we’d be more than happy to watch a TV show starring McCall. Very few actors can make lines like, “I’m going to kill each and every one of you, and the only disappointment is I only get to do it once,” work, but Washington can without breaking a sweat. The law of diminishing returns is in play, especially in a storm-tossed climax that doesn’t come close to the kill-crazy hardware store antics of the original, but it’s still fun to see Denzel kicking all kinds of ass at the ripe old age of 60. But when you’re in the hands of old stagers like Fuqua, writer Richard Wenk and Washington, even the predictable can elicit pleasure. This is the kind of movie where people die exactly when you expect them to, characters get kidnapped exactly when the plot requires it, and hidden agendas are revealed right on cue. Then, as it must, the plot kicks in, and things become more generic. These early scenes, in which Antoine Fuqua - working with Washington for the fourth time, following Training Day, The Magnificent Seven, and the first Equalizer - cuts back and forth between McCall’s interactions with different passengers, are a joy, Washington breathing warmth into a character that might otherwise be lost in his self-imposed isolation. He also keeps himself busy as a Lyft driver, which allows the film to introduce a posse of potential clients/punching bags. He becomes attached to a young black man (Sanders) who has a gift with a paintbrush, but may be heading for a life of crime. Then, we head back to the States, where McCall has set up a quiet life for himself in a tenement building. And it’s that McCall we pick up with this time around, taking out a group of bad guys on a train bound for Turkey in a neat, efficient, brutal credits re-establisher. At the end of the first movie, he became more recognisably the McCall of the TV show, a mercenary for hire, available to right wrongs for those whose wrongs have remained resolutely unrighted. Robert McCall, his retired black ops veteran, the sort of man who can kill you with a credit card, is the perfect vessel to peg a series on. At first glance, The Equalizer, Washington’s big-screen version of the beloved Ewah Woowah ’80s TV show, may seem a strange choice of project with which to pop his franchise cherry.
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